Thanks
Thanks (nanos gigantum humeris insidentes: we are all dwarfs on the shoulders of giants)
Paul Labonte for the video work and Max Filges for playing the piano and the visitor. Peter Elsner for being the artist. FZohren for the original Pianoteilung (Masse) Creative Commons. Alexander Holm for the Salamander Grand Soundfont Creative Commons. Bernd Köster for the initial funding. Johannes Maibaum for helping with the software. John Nebauer for hosting soundfonts. Thomas Nyckel for writing and intellectual input. Thekla Wolff und Isabel Schubert, Kulturbüro Sophien, for St. Elisabeth. John Maynard and Mani, Ramanashram, for the performance in India. Christopher Owens for the Voxativ/Pentatonic Permutations promo video. Petra Rietz for initially encouraging me. Janine Sack for believing in me. Christoph Schauer for the photo of me. Travis Avery for the Play/Pause icon Creative Commons. Voxativ and Ines Vogel for their marvelous speakers
Alex Selck/Sethora for the programming the web audio/midi version, the reverb, and the website
Long Playing Compositions
List of longest non-repetitive piano pieces
Statistics
05/2024: 1.363 listeners from 94 countries streamed 900 h. 2.640 visitors on the website.
06/2024: 1.166 listeners from 84 countries streamed 761 h. 2.368 visitors on the website.
07/2024: 1.104 listeners from 98 countries streamed 1.382 h. 2.443 visitors on the website.
08/2024: 1.480 listeners from 93 countries streamed 1.085 h. 3.064 visitors on the website.
09/2024: 1.228 listeners from 87 countries streamed 1.487 h. 2.344 visitors on the website.
10/2024: 1.041 listeners from 88 countries streamed 613 h. 2.739 visitors on the website.
11/2024: 1.356 listeners from 86 countries streamed 865 h. 2.709 visitors on the website.
12/2024: 1.405 listeners from 102 countries streamed 1.158 h. 2.508 visitors on the website.
01/2025: 1.058 listeners from 88 countries streamed 1.358 h. 2.646 visitors on the website.
02/2025: 1.224 listeners from 85 countries streamed 1.715 h. 3.123 visitors on the website.
03/2025: 1.174 listeners from 90 countries streamed 1.850 h. 3.491 visitors on the website.
04/2025: 1.766 listeners from 102 countries streamed 1.694 h. 3.351 visitors on the website.
05/2025: 1.446 listeners from 95 countries streamed 2.346 h. 2.986 visitors on the website.
06/2025: 1.766 listeners from 95 countries streamed 1.296 h. 3.611 visitors on the website.
07/2025: 1.877 listeners from 110 countries streamed 2.131 h. 3.586 visitors on the website.
08/2025: 1.641 listeners from 95 countries streamed 2.037 h. 3.590 visitors on the website.
09/2025: 1.285 listeners from 86 countries streamed 1.253 h. 2.914 visitors on the website.
10/2025: 1.114 listeners from 92 countries streamed 1.269 h. 3.550 visitors on the website.
11/2025: 1.627 listeners from 90 countries streamed 2.203 h. 4.135 visitors on the website.
12/2025: 1.176 listeners from 86 countries streamed 1.742 h. 5.918 visitors on the website.
01/2026: 1.337 listeners from 84 countries streamed 2.097 h. 4.025 visitors on the website.
02/2026: 1.598 listeners from 86 countries streamed 1.714 h. 4.205 visitors on the website.
03/2026: 1.825 listeners from 92 countries streamed 1.570 h. 2.546 visitors on the website.
Work in Progress
Imprint
Ponton-Lab GmbH, Benjamin Heidersberger, Esplanade 19, 13187 Berlin, Germany
benjamin(at)ponton-lab.de
Tax-ID: DE190220363
"Pentatonic Permutations" is a registered word mark. DPMAregister 302016223889
Blatt 3000 #8. Thomas Nyckel: “Bitte permutieren Sie. Zur medien-musikalischen Analyse hochtechnischer Musikwerke”.
Thomas Nyckel: “Listening under Algorithmic Conditions”, positionen. Texte zur aktuellen Musik, Heft 111, 2017.
ZULAB, Zukunftslabors Musik, Stuttgarter Texte zur Zukunftsforschung, Heft 2/2019. Kulturamt Stuttgart.